WELCOME - We stand together across the globe to change the world, we kneel together in peace and solidarity asserting Black people are treated as equals to White people. It is a human right to receive racial equality, social and criminal justice in the societies we live and to receive parity as full citizens of the country and as a united nation.


We are a non-political, non-partisan, non-violence platform. Some content published on our website may have limited political content by the very nature of a country state governed and under a system of democracy. We operate in a humanitarian capacity and concern before all else. 


We are not operating in a political capacity, are not a member of nor are we connected with any political party or political campaign.

Disclaimer: We are NEITHER associated or affiliated with @ukblm registered (Sep 2020) with FCA under the name 'Black Liberation Movement UK' nor are will affiliated to BLM USA and or any other political party or group here in the UK or abroad.

VIO - Values, Ideologies and objectives
VIO - Values, Ideologies and objectives
Biography - short biographical profile of our VIO's

This is by no means an exhaustive list of Black Lives Matter values or talks for all Black Lives Matter independent chapters, coalitions, collective or groups whose ideologies and or objectives may be the same, similar or even differ to some extent. We do not claim to talk for the entire Black Lives Matter global organisations, coalitions, collectives or groups here in the UK or abroad but does give an indication of the many aspects of Black L
Anti-Racism & Equity Carta
Anti-Racism & Equity Carta
Subscribers united in action to eradicate racism in institutions, organisations and businesses
Black Cultural Archives: Response to the Race Report '21
Black Cultural Archives: Response to the Race Report '21
Black Cultural Archives leaves government’s Windrush Working Group after ‘unsubstantiated’ race report

Black Cultural Archives: response to the March 2021

Commission on Race and Ethnic Disparities report

Black Cultural Archives (BCA) refutes the approach and findings of the report on the basis of its poor use of data, unsubstantiated conclusions and British history inaccuracies.
The closing date for submissions is 5 April 2021
The closing date for submissions is 5 April 2021
The Strategic Review of Policing has launched a Call for Evidence. This is the second part of its major, independent Review of Policing in England and Wales.
Download Publications
Download Publications
The Strategic Review of Policing will publish a number of Insight Papers and an interim report during the course of the Review. A final report will be published in the autumn of 2021.

Throughout centuries to present day, Black British history has been made, and unfolded in front of our very eyes in different spheres. Yet with no mandatory place on a highly Eurocentric national curriculum, Black British history continues to be viewed as insignificant. We have seen the effects of this omission, which pose a number of serious and dangerous political consequences.
Click to
The Colour of Injustice
The Colour of Injustice
‘Race’, drugs and law enforcement in England and Wales

Michael Shiner, Zoe Carre, Rebekah Delsol and Niamh Eastwood

A coalition of academics, lawyers, civil society organisations, young people and community

The national centre of expertise on drugs and drugs law

The International Drug Policy Unit (IDPU)
A cross-regional and multidisciplinary project based at the London School of Economics
and Political Science (LSE)
A Runnymede Trust and ICM Survey
A Runnymede Trust and ICM Survey
Over-Exposed and Under-Protected
The Devastating Impact of COVID-19 on Black and Minority Ethnic Communities in Great Britain

Zubaida Haque, Laia Becares and Nick Treloar

Runnymede is the UK’s
leading independent thinktank
on race equality and race
relations. T

A London case study - Jessica Perera
About 4in10 & Just for Kids Law

4in10: London’s Child Poverty Network is a campaigning network of organisations working to improve the lives of the 4in10 children living in poverty across the capital.

We believe child poverty can be tackled. It doesn’t have to exist.
Adele, Bose, Emily, Noel
Members of the YMCA Youth Advisory Group

The Young and Black report exposes the true nature of what it is like to be a young Black person growing up in the UK today. As the steering group behind the report, we created safe spaces where the Black community could come together to share their experiences – and that they did.

'Stain on British history'

The Home Office broke equality the law, by imposing its "hostile environment" immigration policies which contributed to the Windrush scandal, ERC report found

Problems caused by policies were "repeatedly ignored, dismissed or their severity disregarded" as they were being developed, according to Equality and Human Rights Commission (EHRC) assessment

The government department has committed to an agreement with EHRC to take action
NEW! Nov 2020 - 11th Report of Session 2019–21
NEW! Nov 2020 - 11th Report of Session 2019–21
In response to the awful killing of George Floyd in the US, Black Lives Matter protests
in the UK have highlighted once again the racism and inequality that exists here. Racial
inequalities in the protection of human rights raised by the Black Lives Matter movement
led this Committee to commission polling which found that over three quarters of Black
people in the UK do not believe their human rights are equally protected compared to
white people.
Somerset House are now looking for an individual or group with experience of conducting historical research and analysis within a social context.

You will have a qualification and recognition in a related field and have demonstrated the ability to combine your historical research into a cohesive written account.

Please download the full brief for more information and details on how to apply. Deadline for expressions of interest is 17.00, 9 December 2020.
Harry and Meghan We Stand With You #blacklivesmatter


Real Life Stories

If you notice a broken link that is no longer working please let us now!


Oil painting, 1768, by Thomas Gainsborough


Charles Ignatius Sancho

c. 1729

on a slave ship in the Middle Passage, Atlantic Ocean

Died:14 December 1780 (aged 50–51)

London, Great Britain

Occupation: writer, shopkeeper

Known for influence over abolitionists, his published correspondence


Anne Osborne


Frances Joanna (1761–1815), Ann Alice (1763–1805)

Elizabeth Bruce (1766–1837), Jonathan William (1768–1770)

Lydia (1771–1776)

Katherine Margaret (1773–1779), William Leach Osborne (1775–1810)

Charles Ignatius Sancho was a British writer and composer. He is the first known Briton of African heritage to have voted in an 18th-century general election. Wikipedia

WIKI: Ignatius Sancho

died Dec.14, 1780 Ignatius Sancho "Minuets"

Ignatius Sancho (c. 1729 – 14 December 1780) was a composer, actor, and writer. He is the first known Black Briton to vote in a British election. He gained fame in his time as "the extraordinary Negro", and to eighteenth-century British abolitionists he became a symbol of the humanity of Africans and immorality of the slave trade. The Letters of the Late Ignatius Sancho, an African, edited and published two years after his death, is one of the earliest accounts of African slavery written in English by a former slave of Spanish and English families.

Ignatius Sancho was born on a slave ship in 1729; his precise birthplace is thus unknown. After his mother died in the Spanish colony of New Granada and his father committed suicide rather than to live as a slave, Sancho was taken to England. From 1731 to 1749, he worked for three maiden sisters in Greenwich. John Montagu, 2nd Duke of Montagu (of the first creation) (1690–1749), impressed by Sancho's intellect, frankness, and his amiability, not only encouraged him to read, but also lent him books from his personal library at Blackheath. Sancho's informal education made his lack of freedom in Greenwich unbearable, and he ran away to the Montagus in 1749. For two years until her death in 1751, Sancho worked as the butler for Mary Montagu (née Churchill), Duchess of Montagu, where he flourished by immersing himself in music, poetry, reading, and writing (Ellis 1996:96) (Walvin in King 1997:96) At her death in 1751 he received an annuity of £30 and a year's salary, which he quickly squandered.

During the 1760s Sancho married a West Indian woman, Ann Osborne. He became a devoted husband and father. They had seven children: Around the time of the birth of their third child, Sancho became a valet to the George Montagu, 1st Duke of Montagu of the second creation, son-in-law of his earlier patron. He remained there until 1773. In 1768 Thomas Gainsborough painted a portrait of Sancho at the same time as the Duchess of Montagu sat for her portrait by the artist. By the late 1760s Sancho had already become accomplished and was considered by many to be a man of refinement. In 1766, at the height of the debate about slavery, Sancho wrote to Laurence Sterne encouraging the famous writer to use his pen to lobby for the abolition of the slave trade. Wikipedia

Youtube published: 14 Dec 2016

9 other black composers who changed the course of classical music history

The music of these brilliant composers has too long been neglected in Western classical music tradition.

It took the shocking and tragic death of African American man George Floyd at the hands of police for the world to wake up, the murder in broad day light of a black man in 2020 has sparked a worldwide uprising against racial inequality, and protests calling for the unfailing protection of black lives from police and system brutality.

The music industry and wider communities took a stand on Tuesday 2 June 2020 with Blackout Tuesday – a vow to silence an industry long propped up by black history and culture took place on social media and across airwaves for a day, a time to pause and reflect, a time taken to plan effective, to unite for real change in the fight to end discrimination on grounds of race.

There are brilliant classical composers that have too long been neglected in the Western tradition, and here we profile and celebrate some of the most famous and influential black composers in classical music history. Black lives matter now, and absolutely always will matter.

  1. Joseph Bologne, Chevalier de Saint-Georges (1745 – 1799)

    Dubbed ‘le Mozart noir’ (‘Black Mozart’), the Chevalier de Saint-Georges is remembered as the first classical composer of African origins.

    Born to a wealthy plantation owner and his African slave, Saint-Georges was a prolific composer who wrote string quartets, symphonies and concertos in the late 18th century. He also led one of the best orchestras in Europe – Le Concert des Amateurs – and former US president John Adams judged him “the most accomplished man in Europe”.

    Mozart, who at the time of Saint-Georges’ success was struggling to make his own music heard, envied him. There is a popular theory that Mozart, as well as swiping one of Saint-Georges’ ideas in his Sinfonia Concertante, used his jealousy to fuel the creation of the villainous black character Monostatos, who appears in his opera The Magic Flute.

  2. Florence Price (1887 – 1953)

    Florence Price was the first African-American woman to have her music performed by a major symphony orchestra – in 1933. A music critic from the Chicago Daily News heard the work, performed by the Chicago Symphony Orchestra, and declared it “a faultless work, a work that speaks its own message with restraint and yet with passion… worthy of a place in the regular symphonic repertoire.”

    Born in Arkansas in 1887, Price was a deeply religious person, and brought the music of the African-American church into her music – as well as influences from the likes of DvořákTchaikovsky and other European Romantic composers. Hear some of her songs here and here, and the Concerto in One Movement here.

  3. Scott Joplin (1868 – 1917)

    Dubbed the ‘King of Ragtime’, Scott Joplin was one of the most important and influential composers at the turn of the 20th century. His ideas around harmony, as well as his complex bass patterns and sporadic syncopation, are still imitated by composers today.

    Joplin’s untimely death, caused by syphilis which descended into dementia, marked the end of ragtime and a sad lapse in interest around his music. But his compositions were rediscovered and rose to popularity again in the early 1970s, when Joshua Rifkin released an extremely successful album of his pieces. This was followed by the Academy Award-winning 1973 film The Sting that used several of Joplin’s compositions, including ‘The Entertainer’ and ‘Solace’.

    Scott Joplin's Maple Leaf Rag – but it's played WAY too fast
    Credit: Kristen Mosca

  4. George Bridgetower (1778 – 1860)

    George Bridgetower was an Afro-European virtuoso violinist and composer whose name you might recognise from Immortal Beloved. He is described in the film as ‘the famous virtuoso from Africa’ – but his father was probably from the West Indes.

    In the scene, he plays Beethoven’s ‘Kreutzer’ Violin Sonata No. 9, a piece that Beethoven formally dedicated to Bridgetower. The scene recounts their real-life falling-out, which culminated in Beethoven withdrawing his dedication over an off-colour remark Bridgetower made about a lady Beethoven knew. Outraged, Beethoven opted instead to name his sonata after Rodolphe Kreutzer, the great French violinist.

    Bridgetower’s name soon got lost in history, and he died in poverty in Peckham, his name forgotten. So next time you hear a performance of the Kreutzer Sonata, spare a thought for the man after whom it should really be named…

  5. William Grant Still (1895 – 1978)

    Still’s career is a story of firsts: dubbed ‘The Dean’ of African-American composers, he was the first African American to conduct a major American symphony orchestra, the first to have an opera produced by a major opera company (the New York City Opera), the first to have a symphony (his First Symphony) performed by a leading orchestra, and the first to have an opera performed on national TV.

    Still composed more than 150 works in his lifetime, including five symphonies and eight operas, the most famous of which is his ‘Afro-American’ Symphony No. 1. He also found time to moonlight as an oboist, conductor and jazz arranger.

  6. Samuel Coleridge-Taylor (1875 – 1912)

    Referred to by white New York musicians as the ‘African Mahler’, Samuel Coleridge-Taylor (not to be confused with Samuel Taylor Coleridge, the Romantic poet) fought against racial prejudice all his short life.

    He skilfully married African-American folk music with concert music, composing pieces like his African Suite, African Romances and Twenty-Four Negro Melodies. He is particularly known for his three cantatas based on the epic poem, Song of Hiawatha.

    Coleridge-Taylor was given a well-deserved foot in the door by Edward Elgar who recommended him to the Three Choirs Festival in Hereford, Gloucester and Worcester, where his Ballade in A minor was eventually premiered. Elgar woke up to Taylor’s talent thanks to August Jaeger, a highly influential music critic and editor of publisher Novello, who advised the composer that Taylor was ‘a genius’.

  7. George Walker (1922 – 2018)

    Walker was the first African American to win the Pulitzer Prize for Music. He received it for his work Lilacs in 1996.

    But not only that; Walker was also the first black graduate of the Curtis Institute in Philadelphia in 1945, the first black musician to play New York’s Town Hall in the same year, the first black recipient of a doctorate from the Eastman School in 1955, and the first black faculty member to receive tenure at Smith College in 1961.

    Walker died on 23 August 2018, and his most famous and performed work remains his Lyric for Strings (1946), a beautifully moving work for string orchestra. He also brought the Chevalier de Saint-Georges’ legacy to our attention in 2010, honouring him in his Foils for Orchestra (Homage à Saint George).

  8. Francis Johnson (1792-1844)

    Francis ‘Frank’ Johnson was a celebrated and widely-published Philadelphia composer, known for being the first African American composer to have his works printed as sheet music.

    He played the violin and keyed bugle, and wrote over 200 pieces – including Ethiopian songs, operatic airs and marches.

    contemporaneous account by Philadelphia resident, John Cromwell, remembers Johnson’s influential work and pioneering brass band, which was “the leading military band at all the famous parades and fashionable functions.”

  9. Wynton Marsalis (born 1961)

    Trumpeter Wynton Marsalis is one of the biggest stars in jazz, but his inventive and infectious jazz, gospel and spiritual-infused compositions have become some of the most important new works to hit classical concert halls.

    In 1997, Marsalis became the first jazz musician to win the Pulitzer Prize for Music with his oratorio Blood on the Fields.

    And it’s his violin concerto, a work composed for violinist Nicola Benedetti, that's been making waves in 2019. Nicola has been championing this work around the world and with a recently released recording. She recently came to Classic FM and told us all about the concerto's extraordinary first movement.

Royal Ballet dancer creates powerful piece in memory of George Floyd

When words fail, art speaks.

Royal-ballet dancer powerful piece in memory of george floyd